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Title	:	Hitchcock
Author	:	François Truffaut
Book Format	:	Paperback
Book Edition	:	Revised Edition
Pages	:	Pages: 368 pages
Published	:	October 2nd 1985 by Simon Schuster (first published 1983)
Categories	:	Culture. Film. Nonfiction. Biography

Hitchcock

François Truffaut

Paperback | Pages: 368 pages

Rating: 4.49 | 5752 Users | 338 Reviews

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Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

Details Books Concering Hitchcock

Original Title:	Hitchcock
ISBN:	0671604295 (ISBN13: 9780671604295)
Edition Language:	English URL http://books.simonandschuster.com/Hitchcock/Francois-Truffaut/9780671604295

Rating Regarding Books Hitchcock

Ratings: 4.49 From 5752 Users | 338 Reviews

Judgment Regarding Books Hitchcock

Alfred Hitchcock is considered to be one of the best directors of all time but that wasn't always the case. At the height of his career, many critics saw Hitchcock as a commercial director whose films thrilled audiences with their suspense but werent meant to be taken seriously. All that changed when French director François Truffaut drastically altered the narrative of how we discussed Hitchcocks work and he did so with this book.This is film school in book form. Never have I read a book so

Being a huge Hitchcock fan (and cinefile in general) I found this to be one of the most rewarding reads in recent years. It was fascinating to read the transcripts of banter from (arguably) two of the best directors in film history. I especially liked the structure of Truffaut touching upon each of Hitchcocks films chronologically. Gaining Hitchcocks view on his own works (which we likely would not have obtained were it not for the candid interview) should be appreciated by any film connoisseur

"Good evening, students of the macabre." Hitchcock is a comprehensive study of the films of the great British-American director Alfred Hitchcock, which explores every one of his films from the beginning of his career up to Torn Curtain (1966). After Hitch's death, Truffaut apparently updated the work to include Hitchcock's final films. The book, like Objects of Desire: Conversations with Luis Buñuel or such works as Godard on Godard or Fellini on Fellini, is a collection of interviews. What

This is one of the great movie books. It is basically the condensed version of a series of interviews conducted by Truffaut with Hitchcock as the subject. The entire sweep of his career is discussed here, from his beginnings in the advertising department of a British movie company, up to "Torn Curtain." A few flicks at the end of his career are left off, but so what they usually are not ranked with his best anyway. Hitch talks frankly and intelligently about all the movies discussed here,

Hitchcock is primarily the transcript of fifty hours of François Truffaut interviewing Alfred Hitchcock; though I liked the book, its perhaps most interesting merely due to its premise rather than the execution thereof. Truffauts proposition to Hitchcock in advance of the project including his willingness to answer some five hundred questions, the phrasing of which suggests that there was, at least to some degree, a plan of specific questions to be asked, even if it was the same ten or so

19 August 2018Hitchcock and Truffaut managed to create the ultimate film podcast, and I would highly encourage the reader to look up the actual tapes of these interviews because they will catch far more of the inflections and delivery which in turn will create a stronger impact. These conversations illuminate how important the process of film-making is, and how Hitchcock, during his life, seemed constantly concerned with making his films dynamic and significant to the larger body of what film

Theres a brilliant moment in Truffauts introduction in which he explains why suspense, far from being a mere trick or incidental effect, is in fact of the essence of cinema, indeed, of narrative itself: Suspense is simply the dramatisation of a films narrative material, or, if you will, the most intense presentation possible of dramatic situations. Which is one reason, perhaps, why Hitchcock, the wonderfully perverse genius behind Rear Window, Vertigo, Psycho, The Birds and a host of other