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Original Title: Girl in Hyacinth Blue
ISBN: 014029628X (ISBN13: 9780140296280)
Edition Language: English
Literary Awards: Book Sense Book of the Year Award Nominee for Adult (2000), San Diego Theodor S. Geisel Award (2000)
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Girl in Hyacinth Blue Paperback | Pages: 242 pages
Rating: 3.73 | 37087 Users | 1861 Reviews

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Title:Girl in Hyacinth Blue
Author:Susan Vreeland
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 242 pages
Published:October 1st 2000 by Penguin Books (first published 1999)
Categories:Historical. Historical Fiction. Fiction. Art. Short Stories

Relation Toward Books Girl in Hyacinth Blue

A professor invites a colleague from the art department to his home to view a painting he has kept secret for decades in Susan Vreeland's powerful historical novel, Girl in Hyacinth Blue. The professor swears it's a Vermeer -- but why exactly has he kept it hidden so long? The reasons unfold in a gripping sequence of stories that trace ownership of the work back to Amsterdam during World War II and still further to the moment of the painting's inception.

Rating Out Of Books Girl in Hyacinth Blue
Ratings: 3.73 From 37087 Users | 1861 Reviews

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4.5 Half a point less for interrupting some of my favorite storylines just when I got into them. Still, a wonderful story of an imaginary painting, but actually a story about humanity, art and different perspectives. A great idea and an interesting style. Really made me think ponder about art and human obsession with beauty and inconsistency of life.

This is one of the better novels inspired by the paintings of Vermeer. I say that because I've recently read 4 of them:Tracey Chevalier's Girl with a Pearl Earring was undoubtedly the best of them, with a solid plotline, populated by recognisable characters and was sophisticated enough to involve thematic imagery. This is followed by Susan Vreeland's Girl in Hyacinth Blue. The writing is good in this but the book is not so much a novel but a series of short stories that are linked by one Vermeer

Girl in Hyacinth Blue tells the story of a painting by the Dutch painter Vermeer, as it passes from one owner to another. Interestingly, the story is told in reverse chronological order, beginning with the math teacher who, at present time, hides the painting in his home, to the girl in the painting and her wishes to become an artist herself. I thought the book kept getting better and better as it travels back in history to reveal the effects the painting had on each owner. They all find some

A very nicely written series of stories revolving around the central theme of a painting. If this rating lacks the warmth nay even ecstasy of some other reviews I saw before acquiring it, this is due to a couple of factors that I, the reader brought to it rather than any inherent insufficiency of the book itself:The first thing that rather set me back was that it is very much individual stories. Not interconnected stories even and certainly not 'a novel' as represented. As a fast reader, I find

A previously "undiscovered" Vermeer is revealed and the author traces its ownership back in time to its origination. Each owner (or custodian) has a slightly different reason for wanting to keep the painting, and different reasons for letting it go. Each time it changes hands, the owner is pained to part with it. And still, for everyone it represents longing and wishes unfulfilled.

This book has been on my shelf for years, so I randomly picked it up with low expectations, looking for something calm, easy and historical, and was immediately drawn in to author Susan Vreelands imaginary tale of a 17th century Dutch painting, assumed to be the work of master Johannes Vermeer, and its journey through the centuries. Girl In Hyacinth Blue is a series of tightly interwoven short stories that make a complete novel. Each story is its own time capsule, taking us backward through

I really enjoyed this book. I've owned it for seven or eight years now, and I reread it every six months or so. It's a beautifully written series of brief chapter-sized vignettes recounting the history of a Vermeer painting, as told (in reverse chronological order) by all the people who have possessed the painting. The final stor(ies) are told by the painting's model, Vermeer's daughter. Each chapter also deals with the decision of each character to give up the painting for various reasons.

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