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Title:Mirrors: Stories of Almost Everyone
Author:Eduardo Galeano
Book Format:Hardcover
Book Edition:Special Edition
Pages:Pages: 391 pages
Published:May 1st 2009 by Nation Books (first published April 3rd 2008)
Categories:History. Nonfiction. Short Stories. Writing. Essays
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Mirrors: Stories of Almost Everyone Hardcover | Pages: 391 pages
Rating: 4.35 | 2997 Users | 391 Reviews

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Throughout his career, Eduardo Galeano has turned our understanding of history and reality on its head. Isabelle Allende said his works “invade the reader’s mind, to persuade him or her to surrender to the charm of his writing and power of his idealism.”Mirrors, Galeano’s most ambitious project since Memory of Fire, is an unofficial history of the world seen through history’s unseen, unheard, and forgotten. As Galeano notes: “Official history has it that Vasco Núñez de Balboa was the first man to see, from a summit in Panama, the two oceans at once. Were the people who lived there blind??”

Recalling the lives of artists, writers, gods, and visionaries, from the Garden of Eden to twenty-first-century New York, of the black slaves who built the White House and the women erased by men’s fears, and told in hundreds of kaleidoscopic vignettes, Mirrors is a magic mosaic of our humanity.

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Original Title: Espejos: una historia casi universal
ISBN: 1568584237 (ISBN13: 9781568584232)
Edition Language: English

Rating Containing Books Mirrors: Stories of Almost Everyone
Ratings: 4.35 From 2997 Users | 391 Reviews

Commentary Containing Books Mirrors: Stories of Almost Everyone
a sporadic sampling:-Water and light-Back in the year 1600-something, sculptor Luis de la Pena wanted to sculpt light. In his workshop on an alley in Granada, he spent his entire life trying and failing.It never occurred to him to look up. There, on the crest of a hill of red earth, other artists had sculpted light, and water too. In the turrets and gardens of the Alhambra, crown of the Muslim kingdom, those artists had made the impossible possible.The Alhambra is not a stationary sculpture. It

MIRRORS: Stories of Almost Everyone - contemporary Uruguayan author Eduardo Galeano's collection of hundreds and hundreds of finely constructed mini-tales, two or three on every page, with such titles as: Origin of Fire, Origin of Beauty, Origin of Sea Breezes, Resurrection of Vermeer, Resurrection of Arcimboldo, Mozart, Goya, Venus, Hokusai, Kipling, Nijinsky, Beethoven, Lenin, Invisible Men, Invisible Women, Palace Art in France, Origin of the Croissant, Darwins Questions, The Gold Rush and

We Americans seem to have a fascination for history viewed from the lives of, generally, great men. It is a reflection of our commitment to the National myth of the rugged individual: the rugged, self-energized individual leads the parade, determining who marches and where and how the crowd will go. That bedrock belief has led to the growing popularity in recent years of biographies, to the publication of works, for example, on the Founding Fathers, Jackson, Lincoln. These and similar giants of

Eduardo Galeano is a world treasure. His insight, poetry, and knowledge of the historical truth (we're never taught) is unrivaled. I stopped underlining when i realized that every line should be highlighted.If you want to know the story of the world, the REAL story - not the past as written by the predatory "winners" - read Galeano. Every page is so loaded with good stuff that i find i read his work very slowly- like devouring a good meal - you can't take in more until that's digested.pg. 246 -

At first, I didn't enjoy it as much as the other books I've read by Galeano (namely The Memory of Fire trilogy). He seems to be at his best when describing characters rather than disembodied events, which is may be why I found his nameless stories about prehistory to be less engaging. However, Mirrors picks up breakneck speed toward the end. One might expect Galeano's "formula" to get tiresome, but the punches he manages to deliver with his final lines are as incisive as ever.

NPR Recommendation: Imagine Howard Zinn's A People's History of the United States, but penned by a poet and expanded to include the history of the entire world. Framed in inventively organized tiny vignettes most just a paragraph or two long Eduardo Galeano's Mirrors explodes our ideas of history in both content and form. Fiercely political and fiercely human, Mirrors is a feast for the browser, armchair historian, poet and activist. Galeano rewrites the histories of the forgotten and the

The fact that the top reviews here are not in Latin script tells you something about the book. With this book, an incomplete history of the modern era, Galeano explores the obscure, the arcane, the suppressed, the aphorisms, the anecdotes, etc. all while deploying a powerful critique of Power. Because the book is broken into fragmentary history, I was able to devour it rapidly, but not lightly. Being a student of the oppressed, I was familiar with many of the tales here, and while most were new

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