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Original Title:	What We Talk About When We Talk About Love: Stories
ISBN:	0679723056 (ISBN13: 9780679723059)
Edition Language:	English

What We Talk About When We Talk About Love

Raymond Carver

Paperback | Pages: 159 pages

Rating: 4.16 | 44020 Users | 3032 Reviews

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In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

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Title	:	What We Talk About When We Talk About Love
Author	:	Raymond Carver
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 159 pages
Published	:	1989 by Vintage Contemporaries / Vintage Books (first published April 20th 1981)
Categories	:	Short Stories. Fiction. Classics. Literature. American

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Ratings: 4.16 From 44020 Users | 3032 Reviews

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I picked up this collection of Raymond Carver stories after watching the movie "Birdman," which features a play based on the title story. When I finished reading it, I was both impressed at Carver's brisk dialogue and wishing there had been more. He sketches scenes well, dances around a topic, reaches for an emotional peak, and then closes. Like most short stories, it's a marvel of efficiency. But I still wish there had been more heft.

I'll announce the cliche of my loving this book before you beat me to it.I'm an overeducated, mock-contemplative early-twenty-something with a penchant for strong male voices (despite my feminist leanings) and a distaste for anything too sentimental. I was raised in the tradition of "Show, Don't Tell" and hold this closer than even my favorite teddy (whose name is Atticus.) My middle name is "Minimalism." My other middle name is "Ooh, that sounds pretty."With that out of the way, yes, of course

This is like what would happen if Walker Evans had built a time machine, gunned it to he 1970's, landed in the field of some pop. 1000 Oregon hunting town, plopped down at a bar stool, and started writing field notes for photos of the place and the folks contained therein. He isn't actually going to shoot the images this time, though. Fill in the lines with your own muck.Sparse, s(p)earing, simple stuff. Even if you don't generally go for a minimalist approach, Carver has this un-thumb-downable

I'll announce the cliche of my loving this book before you beat me to it.I'm an overeducated, mock-contemplative early-twenty-something with a penchant for strong male voices (despite my feminist leanings) and a distaste for anything too sentimental. I was raised in the tradition of "Show, Don't Tell" and hold this closer than even my favorite teddy (whose name is Atticus.) My middle name is "Minimalism." My other middle name is "Ooh, that sounds pretty."With that out of the way, yes, of course

If you're into stuff like this, you can read the full review.Answer: In other words, everything else: "What We Talk About When We Talk About Love" by Raymond Carver, Gordon Lish I could hear my heart beating. I could hear everyones heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark. in What We Talk About When We Talk About Love by Raymond Carver, Gordon Lish Imagine the following sentence: By 8 AM I wake up to go to the bathroom. Now

Dirty Realism is the genre where this book is classified. Coined in the 80's, the dirty-realism school of writing became popular during that decade due to the writings of Raymond Carver, Angela Carter, Bobbie Ann Mason, Richard Ford, Tobias Wolff among others. Their language is sparse and their characters are the blue-collar, middle-class Americans who faced disappointments, heartbreaks and harsh truths in their ordinary lives.I have been reading a biography of Haruki Murakami and read last week

This collection of short stories offers brief glimpses into the darker side of human nature, with some things acted upon, others left to fester in the mind.  Snippets of life, what truly lies within one's heart and the capacity to act on it.  We become privy to conversations not meant for our ears, and witness a tug of war that left me stunned.  I always appreciate an author who is confident enough in his work to allow the reader to come to his own conclusions.  That's what happens here.